After a successful 2015 and 2017 events in Seattle, Writing Day Workshops is excited to announce The 2018 Seattle Writing Workshop — a full-day “How to Get Published” writing event in Seattle, WA on April 28, 2018.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2018 Seattle Writing Workshop!
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, April 28, 2018, at the Embassy Suites by Hilton Seattle Bellevue. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent faculty so far includes:
- literary agent Gordon Warnock (Fuse Literary)
- literary agent Natalie Grazian (Martin Literary Management)
- literary agent Chip MacGregor (MacGregor Literary)
- literary agent Kathleen Ortiz (New Leaf Literary + Media)
- literary agent Adria Goetz (Martin Literary Management)
- literary agent Amy Levenson (Blue Heron Literary)
- literary agent assistant Cortney Radocaj (Corvisiero Agency)
- and many more to come
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Jessica Bell of Writing Day Workshops.
EVENT LOCATION & DETAILS:
9:30 a.m. – 5 p.m., Saturday, April 28, 2018, at the Embassy Suites by Hilton Seattle Bellevue, 3225 158th Ave SE, Bellevue, WA 98008. (425)644-2500.
THIS YEAR’S SESSIONS & WORKSHOPS (APRIL 28, 2018):
What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.
Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:
8:30 – 9:30: Check-in and registration at the event location.
BLOCK ONE: 9:30 – 10:30
1. A Bird’s-eye View Publishing & Books in the Year 2018. This workshop is quick and easy overview of the publishing industry today, and how it’s changing.
2. Create New Worlds: A Guide to Writing Science Fiction and Fantasy. Let this session help you understand worldbuilding, the differences between sci-fi and fantasy, the tropes of both genres, when you should follow the rules, when you should break the rules, and more.
3. Self-Editing and Revision. Revision can make or break a book. This presentation will discuss the importance of revision as all stages of one’s career—from beta readers and critique groups to querying agents.
1. Tips on How to Write Like the Pros. This workshop is a thorough crash course concerning craft, style and voice.
2. How to Get a Literary Agent. The class will discuss resources for finding agents, how to ID the best agents for you, query letter writing, and more.
3. Tips for Writing Great Mysteries, Thrillers, and Crime. This presentation will teach you how to keep readers—including agents and editors—turning pages late into the night.
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
LUNCH ON YOUR OWN: 11:50 – 1:15
Lunch is on your own during these 85 minutes.
BLOCK THREE: 1:15 – 2:30
1. “Writers Got Talent”—a Page 1 Critique Fest. This is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.
2. How to Sell a Nonfiction Book. This session is completely devoted to nonfiction book proposals.
3. Writing for the Little Ones: How to Craft an Amazing Picture Book For Kids. In this session, we’ll discuss questions to consider before sending a picture book manuscript out in the world.
BLOCK FOUR: 2:45 – 3:45
1. Self-Publishing: How Do You Know if It’s Right for You? So, how do you know if self-publishing is the right thing for you as a writer? Join a successful author who shares the secrets of self-publishing and how to do it right.
2. Breaking the Rules of Writing. What are “the rules” and when is it okay to break them? Let’s look at recent examples of flying in the face of conventional literary wisdom.
3. Keys to Writing Great Young Adult & Middle Grade Fiction. Writing for children isn’t all that different from writing for adults.
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
BLOCK FIVE: 4:00 – 5:00
1. How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform. This session includes easy-to-understand advice on social media (Twitter, Facebook, more), blogging, and other simple ways you can market your work online.
2. Talking Craft and Revision. This session will discuss common manuscript problems as well as tools you can use to create the manuscripts that will get the attention you want from agents and editors—and readers.
3. How to Write and Sell Romance in Today’s Market. This session will address important topics and tips for writers of romance.
SESSIONS END: 5:00
At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.
Agent & Editor Pitching: All throughout the day.
PITCH AN AGENT OR EDITOR:
Gordon Warnock is a founding partner at Fuse Literary. For nonfiction, he represents memoir (adult, new adult, young adult, graphic), cookbooks, food narratives, illustrated/art, photography, political books, current events, pop science, pop culture (especially punk culture and geek culture), self-help, how to, humor, pets, business and career. For fiction, he seeks high concept suspense, literary fiction (young adult, adult), and graphic novels (any age). He is not looking for religious fiction, genre fiction (romance, sci-fi, fantasy), legal thrillers, New Age, picture books, middle grade, novellas or screenplays. Learn more about Gordon here.
Natalie Grazian is an associate literary agent at Martin Literary Management. Natalie is eager to build her adult fiction list. She is currently accepting queries for commercial, upmarket, and literary adult fiction. Natalie would love it if you sent her contemporary fantasy (in the vein of Lev Grossman’s The Magicians). She’s drawn to dark comedy that still carries a beating heart—because at the end of the day, she turns to books to find humanity. She is highly interested in reimagined myths and fairytales from different cultures, historical fiction, and a good quest narrative in any genre. More than anything, she looks for complex characters who make the unrelatable relatable, and for a smart, distinctive narrative voice. At this time, she’s not seeking military thrillers, sports stories, or romance novels. Learn more about Natalie here.
Chip MacGregor is a literary agent and the founder of MacGregor Literary. In fiction, he seeks women’s fiction, inspirational/Christian fiction, mystery and crime. In nonfiction, he seeks primarily religion or spirituality books, but also relationships, parenting, and memoir from celebrities and/or religious personalities. Chip has a comprehensive knowledge of the industry—from book development to writing, acquisition to production, marketing to sales. Learn more about Chip here.
Kathleen Ortiz is a literary agent at New Leaf Literary & Media, Inc. She focuses on a diverse list of picture books, young adult books, and heavily-illustrated nonfiction titles, especially titles that can make her laugh out loud (bonus points if to the point of tears or snorting!). Her passion for travel (visited 17 countries and counting) strongly connects her with a book that exposes the reader to a lifestyle or world outside of their own every day life. On the nonfiction side, she’s specifically looking for prescriptive (especially geared toward parents, millenials and generation z), memoir, pop culture, and illustrated. Learn more about Kathleen here.
Adria Goetz is an associate literary agent with Martin Literary Management. She is actively building her client list and looking for writers. Adria represents the lifestyle genre and everything under the Christian umbrella—children’s picture books, middle grade fiction, young adult fiction, and adult fiction and nonfiction (including memoir). Learn more about Adria here.
Amy Levenson is the founding literary agent of Blue Heron Literary. She represents: mainstream literary and commercial fiction, and nonfiction in the areas of memoir, biography, narrative nonfiction, and popular culture. She is actively seeking middle grade and young adult fiction (all genres), from adventure driven and fantastical to contemporary settings exploring social issues. For new adult and adult fiction, she seeks plot-driven literary works and upmarket commercial stories with only a touch of genre. She is especially drawn to a strong voice and dynamic characters, a well-paced plot, witty or quirky humor, and am always susceptible to a good solid tug on the heart strings. Learn more about Amy here.
Cortney Radocaj is a literary agent assistant with Corvisiero Literary. Cortney will be taking pitches on behalf of herself as well as the entire Corvisiero agency. Cortney’s personal taste tends to gravitate toward certain genres – sci-fi, fantasy, paranormal/supernatural, dystopia, and psychological thrillers consistently draw her in. But while genre is an immediate hook for her, it isn’t her only requirement; she adores books with strong, dynamic, complex characters that have complicated and nuanced relationships with others. Cortney is happy to take pitches on behalf of her co-agents at Corvisiero Agency in the following fiction genres: contemporary romance, thriller, adventure, urban fantasy, middle grade (all kinds), erotica, LGBTQ, young adult (all kinds), romantic suspense, new adult, historical fiction, and magical realism. Learn more about Cortney here.
More 2018 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$169 — EARLY BIRD base price for registration to the 2018 SWW and access to all workshops, all day. As of October 17, 2017, registration is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I signed with my agent, Patricia Nelson, after
meeting her at the Arizona Writing Workshop.”
– writer Axie Oh
“I officially signed with agent Renee Nyen of KT
Literary. I met her at the Colorado Writing
Workshop.” – writer Jessie Hilb Akos
“After taking pitches at the Michigan Writing
Workshop, I signed writer Kyle Prue as a new
client.” – literary agent Veronica Park
“After taking pitches at the Alabama Writing
Workshop, I met Erin Hollis at a pitch session, and
she is now my newest client.” – agent Julie Gwinn
Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the day’s instructors. (This rate is a special event value for Seattle Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $79 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. You can opt for as many critiques as you like. Options:
- Romance, literary fiction, mainstream fiction, general fiction. Faculty member Cherry Adair, a published author, will get your work in advance, edit the first 10 double-spaced pages of your book, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting.
- Young adult and middle grade: Faculty member Jennifer Bardsley, a published YA author, will get your work in advance, edit the first 10 double-spaced pages of your book, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting.
- Other critique options forthcoming.
How to pay/register — Registration is now open. Reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Seattle workshop specifically.
Because of limited space at the venue, the workshop can only allow 200 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The SWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Seattle workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)