The 2020 Seattle Writing Workshop: April 25, 2020

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter a successful 2015, 2017, 2018, and 2019 events in Seattle, Writing Day Workshops is excited to announce The 2020 Seattle Writing Workshop — a full-day “How to Get Published” writing event in Seattle, WA on April 25, 2020.

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (250 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2020 Seattle Writing Workshop!

(If you know you want to attend, and don’t need the info below, you can click straight through to the Google Forms registration to get started: https://forms.gle/EQ8ktFiqod7dBMBk8)

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Saturday, April 25, 2020, at the Embassy Suites by Hilton Seattle Bellevue. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent faculty so far includes:

  • literary agent Ben Grange (L. Perkins Agency)
  • editor Alicia Clancy (Lake Union / Amazon)
  • literary agent Lauren Scovel (Laura Gross Literary)
  • literary agent Chip MacGregor (MacGregor Literary)
  • editor Jason Kirk (47 North / Amazon)
  • literary agent Tara Gilbert (Corvisiero Literary)
  • literary agent Cortney Radocaj (Belcastro Agency)
  • literary agent Garrett Alwert (Emerald City Literary Agency)
  • and many more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Kimiko Nakamura of Writing Day Workshops.

EVENT LOCATION & DETAILS:

9:30 a.m. – 5 p.m., Saturday, April 25, 2020, at the Embassy Suites by Hilton Seattle Bellevue, 3225 158th Ave SE, Bellevue, WA 98008. (425)644-2500.

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THIS YEAR’S SESSIONS & WORKSHOPS (APRIL 25, 2020):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:

8:30 – 9:30: Check-in and registration at the event location.

BLOCK ONE: 9:30 – 10:30

COMING SOON

Screen Shot 2015-12-30 at 1.44.34 AMBLOCK TWO: 10:45 – 11:50

COMING SOON

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

LUNCH ON YOUR OWN: 11:50 – 1:15

Lunch is on your own during these 85 minutes.

BLOCK THREE: 1:15 – 2:30

1. “Writers Got Talent”—a Page 1 Critique Fest (Regent Room). This is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

COMING SOON

BLOCK FOUR: 2:45 – 3:45

COMING SOON

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

BLOCK FIVE: 4:00 – 5:00

COMING SOON

SESSIONS END: 5:00

At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.

Agent & Editor Pitching: All throughout the day.

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PITCH AN AGENT OR EDITOR:

Screen Shot 2019-10-22 at 7.02.44 PMBen Grange is a literary agent at L. Perkins Associates. His tastes gravitate towards middle grade fiction, and he is particularly on the lookout for exceptional author-illustrators who write middle grade or young adult. He sometimes gets the inkling to read a great YA sci-fi or fantasy, particularly weird or slightly dark stories (à la The Raven Boys by Maggie Stiefvater). Thanks to his time at JABberwocky, he also loves epic fantasy and science fiction, and although his focus is on middle grade and young adult, he won’t say no to a great adult fantasy or sci-fi. He is also interested in pop culture nonfiction for authors with established platforms. Learn more about Ben here.

Screen Shot 2019-10-22 at 7.08.36 PMLauren Scovel is a literary agent at Laura Gross Literary Agency. Her fiction specialties are: GLBT, literary fiction, and multicultural. She will also consider humor/satire, family saga, and short story collections. Her nonfiction specialties are cultural/social issues, current affairs, GLBT, investigative journalism, multicultural, narrative, politics, true crime, and women’s concerns. She will also consider: adventure/true story, history, humor, memoir, pets, and pop culture. Learn more about Lauren here.

Screen Shot 2019-11-15 at 4.01.33 PMAlicia Clancy is an editor with Lake Union Publishing, an imprint of Amazon. Lake Union Publishing seeks absorbing works of contemporary and historical fiction for voracious readers. This includes literary fiction, mainstream fiction, upmarket / book club fiction, historical fiction, contemporary/domestic suspense, and women’s fiction. Learn more about Alicia here.

Screen Shot 2019-10-27 at 2.58.15 PMCortney Radocaj is a literary agent with Belcastro Agency. She is seeking young adult, new adult, and adult fiction in the following genres & categories: LGBTQIA+ (particularly F/F), neurodiversity, contemporary, horror, fantasy, science fiction, steampunk, cyberpunk, mythology/fairytale retellings, Gothic fiction (particularly Southern gothic), paranormal and magical realism. Learn more about Cortney here.

Screen Shot 2017-11-03 at 4.13.24 PM.pngChip MacGregor is a literary agent and the founder of MacGregor Literary, His company has focused on specific niche markets — memoir, spirituality, self-help books, Christian and literary fiction, true crime, romance, as well as some specialty projects. He has worked with dozens of bestsellers and sold numerous movie and TV projects. Learn more about Chip here.

Screen Shot 2019-10-28 at 9.15.21 PMJason Kirk is an acquiring editor for 47North, part of Amazon Publishing. He is seeking: science fiction for adults, fantasy novels for adults, and young adult of all types (both science fiction & fantasy, and otherwise/contemporary). Jason will also be teaching at the 2020 event. Learn more about Jason and his book tastes here.

Screen Shot 2019-03-30 at 2.52.20 PMTara Gilbert is a jr. literary agent with Corvisiero Agency. At the 2019 Seattle conference, she is taking pitches on behalf of herself as well as co-agents. Personally, she is seeking all kinds of young adult and middle grade, adult sci-fi, adult fantasy, graphic novels, contemporary fiction, and romance. On behalf of co-agents, she will take pitches for historical novels, women’s fiction, mainstream/general fiction, and children’s picture books. Learn more about Tara here.

Screen Shot 2019-10-29 at 8.54.34 PMGarrett Alwert is an associate literary agent with Emerald City Literary Agency. He is actively seeking new clients. He and the agency represent young adult and middle grade — specifically in the areas of romance, thriller/mystery, magical realism and sci-fi (no kidlit fantasy for him). Learn more about Garrett here.

 

 

 

More agents forthcoming.

         More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

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PRICING:

$189 — EARLY BIRD base price for registration to the 2020 SWW and access to all workshops, all day. As of fall 2019, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the day’s previous instructors. (This rate is a special event value for Seattle Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. You can opt for as many critiques as you like. Options:

  • Young adult, middle grade, and children’s picture books: Faculty member Gabrielle Prendergast, author of YA / MG / PB books for kids, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting. For picture book critiques, 1,000 words maximum please (can include illustrations or not).
  • Science fiction, fantasy, mystery, thriller, suspense, romance (no erotica), contemporary/mainstream fiction, literary fiction, historical fiction, young adult (including genre YA and SF/F): Faculty member Amber Royer, author and writing instructor repped by Jennie Goloboy of Donald Maass Literary Agency, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting. When dealing with a manuscript, Amber focuses on sound psychological character creation, and will help you ensure that your characters are displaying agency right off the bat, which will ensure that your story has the kind of momentum agents and editors are looking for.

How to pay/register — Registration is now open for 2020.

To register by Google Forms, click on the link below to fill out the form. Once you submit the form and let us know everything you want at the conference, you will get instructions on how to pay by PayPal or check.

Seattle Registration Form 2020

Once the Google form is complete and payment is made (either check or PayPal), you will have reserved a seat at the event.

If you have any issues with the Google form, or would simply rather talk with someone via email, just reach out to workshop organizer Kimiko Nakamura via email: wdwcoordinator@gmail.com. She can pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The Seattle Writing Workshop will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Kimiko plans different workshops, if you email her, make sure you note that you’re inquiring about the Seattle workshop specifically.

REGISTRATION:

Because of limited space at the venue, the workshop can only allow 250 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: Registration is now open for 2020.

To register by Google Forms, click on the link below to fill out the form. Once you submit the form and let us know everything you want at the conference, you will get instructions on how to pay by PayPal or check.

Seattle Registration Form 2020

Once the Google form is complete and payment is made (either check or PayPal), you will have reserved a seat at the event.

If you have any issues with the Google form, or would simply rather talk with someone via email, just reach out to workshop organizer Kimiko Nakamura via email: wdwcoordinator@gmail.com. She can pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The Seattle Writing Workshop will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Kimiko plans different workshops, if you email her, make sure you note that you’re inquiring about the Seattle workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)

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Thank you for your interest in the 2020 Seattle Writing Workshop.

Get to Know a Literary Agent in Attendance: Lauren Scovel of Laura Gross Literary

Screen Shot 2019-10-22 at 7.08.36 PMLauren Scovel is a literary agent Laura Gross Literary Agency.

“I grew up outside of Seattle and graduated summa cum laude from Emerson College with a degree in Writing, Literature, and Publishing as well as Theatre Studies. I began my publishing career as an editorial intern at Aevitas Creative Management (formerly Zachary Shuster Harmsworth). My editorial work can be seen at The Millions. I also worked as an indie bookseller for several years.”

She is especially interested in fiction and nonfiction involving social justice, political issues, and other timely and underrepresented stories. “I’m specifically interested in fiction and nonfiction stories that effortlessly depict a diverse cast of characters and perspectives.”

Her fiction specialties are: GLBT, literary fiction, and multicultural. She will also consider humor/satire, family saga, and short story collections. Her nonfiction specialties are cultural/social issues, current affairs, GLBT, investigative journalism, multicultural, narrative, politics, true crime, and women’s concerns. She will also consider: adventure/true story, history, humor, memoir, pets, and pop culture.

Get to Know an Agent in Attendance: Ben Grange of L. Perkins Agency

Screen Shot 2019-10-22 at 7.02.44 PMBen Grange is a literary agent at L. Perkins Agency.

Ben started out at a small publishing company in Salt Lake City, UT and proceeded to do internships at three literary agencies before working as the assistant at the JABberwocky Literary Agency. He decided he wanted to be an agent sometime along the line, and is happily growing an amazing list of clients.

His tastes gravitate towards middle grade fiction, and he is particularly on the lookout for exceptional author-illustrators who write middle grade or young adult. He sometimes gets the inkling to read a great YA sci-fi or fantasy, particularly weird or slightly dark stories (à la The Raven Boys by Maggie Stiefvater). Thanks to his time at JABberwocky, he also loves epic fantasy and science fiction, and although his focus is on middle grade and young adult, he won’t say no to a great adult fantasy or sci-fi. He is also interested in pop culture nonfiction for authors with established platforms.

“I’m looking for books that remind me of what it was like to be enveloped by a story when I was a kid. I’m looking for authors who have the ability to give me a visual experience, whether it’s through good prose, lively characters, stunning scenery, or actual illustrations. I’m particularly on the lookout for exceptional author-illustrators for MG and YA.”

“A few books that hooked me on reading when I was a kid: Harry Potter, Percy Jackson, Fablehaven, The Giver, Hatchet, Flipped, Eragon, Ender’s Game, and others. My tastes have evolved since then, and even though some of these books are better than others, there was something about all of them that drew me in and made me love them at the time. And that’s what I want to see: something appealing that will draw me (/children) into a book and make me (/them) love it.”

“I want authors who have put in the time (read: blood, sweat, and tears) learning how to write well. This means that if you’re trying to get me to read the first book you’ve ever written, I’ll likely pass on it. Most authors spend years honing their craft before selling their first book. Also, on that note, please don’t send me a first draft. Take your time and polish your work before submitting it. If you think your book is the right fit for me, I really look forward to reading it!”

“I really want to see to see something quirky and weird, maybe a little dark, yet at the same time emotionally powerful. Maybe illustrated, maybe not. Something that blends the storytelling prowess of Kubo and the Two Strings with the quirky aspect of Adventure Time and the dark weirdness of Over the Garden Wall. If you have this, I want to see it. Now, preferably.”

Get to Know an Editor in Attendance: Alicia Clancy of Lake Union Publishing

Screen Shot 2019-11-15 at 4.01.33 PMAlicia Clancy is an editor with Lake Union Publishing, an imprint of Amazon.

Lake Union Publishing seeks absorbing works of contemporary and historical fiction for voracious readers. This includes literary fiction, mainstream fiction, upmarket / book club fiction, historical fiction, contemporary domestic suspense, and women’s fiction.

Alicia Clancy works with a wide range of fiction authors, including the bestselling suspense duo Liz Fenton and Lisa Steinke and USA Today bestselling author Julianne MacLean. She also cultivates upmarket debut novelists with fresh voices, including Glendy Vanderah and Suzy Krause, among many other talented writers.

Prior to joining Lake Union Publishing, Alicia worked as an assistant editor at St. Martin’s Press, where her acquisitions included award-winning novelist Julie Cohen and Susie Orman Schnall, among others. Previously, she also worked in sales at Palgrave Macmillan and interned for FinePrint Literary Management. An author herself, Alicia published her humorous gift book, Be My Galentine: Celebrating Badass Female Friendship, with St. Martin’s Griffin in 2017. Alicia has a British husband and an Australian cattle dog named Whiskey. Her favorite activities include hiking, SoulCycle, and working on her first novel (many have been started, but not finished).

Get to Know an Editor in Attendance: Jason Kirk of 47North

Screen Shot 2016-12-29 at 3.20.28 PM.pngJason Kirk is an acquiring editor for 47North, part of Amazon Publishing.

Jason is a decorated editor and poet, the author of A Fabulous Hag in Purple on the Moor, Reverb, and The Other Whites in South Africa, and the composer of The Mirror of Simple Souls, an opera collaboration with poet Anne Carson. He received his Master of Fine Arts in Poetry from the University of Michigan. Recent awards and nominations for books he has edited include the 2016 UtopiaCon Best Edited Book Award for Amy A. Bartol’s Darken the Stars, the 2016 Philip K. Dick Award for PJ Manney (R)evolution (finalist), and the 2015 Bram Stoker Award for Christopher Rice’s The Vines (finalist).
 
He is seeking: science fiction for adults, fantasy for adults, and young adult of all types (both SF/F and otherwise/contemporary).

Get to Know an Agent in Attendance: Chip MacGregor of MacGregor Literary

Screen Shot 2017-11-03 at 4.13.24 PM.pngChip MacGregor is a literary agent and the founder of MacGregor Literary.

His company has focused on specific niche markets — memoir, spirituality, self-help books, Christian and literary fiction, true crime, romance, as well as some specialty projects. He has worked with dozens of bestsellers, sold numerous movie and TV projects, watched authors honored with all variety of writing awards, and has become a voice in the industry for helping authors think long-term about their writing careers.

Chip has a comprehensive knowledge of the industry—from book development to writing, acquisition to production, marketing to sales. A former Associate Publisher with the Time-Warner Book Group, he has secured nearly 1,000 book deals for authors with all of the major publishers, including numerous imprints at Penguin Random House, Simon & Schuster, Hachette, HarperCollins, Thomas & Mercer, Jossey-Bass, Llewellyn, Zondervan, Thomas Nelson, Baker, Tyndale, Waterbrook, Howard, B&H, Worthy, Revell, Harvest House, and dozens of others. As an editor, he discovered Phillip Gulley, worked with bestselling authors such as Andy Andrews and Karen Kingsbury, and helped craft books for some of the best names in publishing, including Vince Zandri, Chuck Swindoll, Mindy Clark, and David Jeremiah. He has also written more than two-dozen titles, including two books that hit #1 on the bestseller lists in their category, and he has been the collaborative writer on nearly three-dozen other titles. During his tenure as a publisher at Time Warner, he helped start Center Street, the “heartland publishing” initiative at what is now Hachette, and did books with the likes of Mike Huckabee and John Ashcroft.

As a longtime agent he has represented Brennan Manning, Vincent Zandri, Rachel Hauck, Mindy Clark, Irene Hannon, Bonnie Gray, Michelle McKinney Hammond, Jill and Stuart Briscoe, Alistair McGrath, Neta Jackson, Vickie McDonough, the MOPS organization, and many others. His work with Lisa Beamer and Ken Abraham led to Let’s Roll hitting #1 on the New York Times bestseller list, eventually becoming the bestselling nonfiction book the year it released. After starting his own agency, he has focused on helping bring great fiction to market, representing authors such as Leslie Gould, Les Edgerton, Ann Tatlock, Jim Kraus, and Janice Thompson. Some of his bestselling nonfiction clients include New York Times bestsellers Mike Hingson and Susy Flory, bestselling writers Sheila Wray Gregoire, Shane Stanford, David Thomas, and Ira Wagler. A longtime member of AAR, he has represented dozens of books on all the national bestseller lists, and the authors he represents have won numerous national awards.

A popular writer’s conference speaker, Chip has presented workshops at more than 200 publishing conferences, spoken at colleges and universities, and is frequently invited to speak to writers groups around the country on the topics of writing and publishing. He earned his BS with High Honors at Portland State University, earned an MA with Honors from Biola University, and did his doctoral work at the University of Oregon in Policy and Management, focusing on organizational development. He later did a post-doctoral semester at Oxford University. Chip has been written up in numerous writing and publishing related magazines and newsletters, is frequently asked for his opinions on trends in the publishing industry, and his blog is regularly on the list of Writer’s Digest’s “101 Best Websites for Writers.”

Get to Know an Agent: Cortney Radocaj of Belcastro Agency

Screen Shot 2019-10-27 at 2.58.15 PMCortney Radocaj is a literary agent with Belcastro Agency.

She is seeking:

Young adult, new adult, and adult fiction in the following genres & categories:

  • LGBTQIA+ (particularly F/F)
  • Neurodiversity
  • Contemporary
  • Horror
  • Fantasy
  • Sci-fi
  • Steampunk
  • Cyberpunk
  • Mythology/fairytale retellings
  • Gothic fiction, particularly Southern gothic
  • Paranormal
  • Magical realism

She is NOT seeking:

– MG
– Children’s/Picture Books
– Crime/detective fiction
– Mysteries
– Political/military thrillers
– Nonfiction
– Novellas, short story collections, poetry collections, or screenplays

“Born and raised in Eastern Washington, I’m currently an associate agent at the Belcastro Agency. When I’m not doing book-related things, I’m spending time with my husband, my animals, or attempting a new craft I’ll never spend enough time on to truly get good at. Supernatural and The Office are constantly running on my TV, and I adore watching creative shows (i.e. baking shows and Project Runway are my ish).”

“I’m a member of the LGBTQIA+ community (#BisexualPride! <3) and of the neurodiverse community. I love to see healthy representation of queer and neurodiverse identities, espcially in SFF, and I’m ecstatic to find and represent books that would have benefited me as a teen. I adore seeing works that celebrate and normalize these experiences, particularly in YA. Compelling characters are what grab me the most; I love books with strong, dynamic, complex characters that have complicated and nuanced relationships with others—especially romances! I love romantic threads that weave in seamlessly with the plot and characters’ motivations, particularly in SFF. In regard to POVs, the closer, the better; I want to live inside characters’ heads when I read, and love as little distance as possible. I enjoy when authors break stereotypes and tropes, and I love when plots and characters surprise her, leaving her breathless on the edge of her seat.”

“Some of my favorite books: A Court of Mist and Fury by Sarah J. Maas; City of Bones by Cassandra Clare; The Shining and IT by Stephen King; Tithe by Holly Black; Skinned by Robin Wasserman; This Savage Song by Victoria Schwab; The Light Between Worlds by Laura E. Weymouth.”

“I’m a Hufflepuff to the core with a penchant for punk, a weakness for puns, and the ferocity of dragons.”