Agents and Editors in Attendance

(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next SWW is an in-person event happening in Seattle on May 9, 2026. See you there.)

PITCH YOUR BOOK TO A LITERARY AGENT:

These in-person one-on-one meetings at the 2026 Seattle Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2026 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. We have seen many, many writers sign with agents after connecting after our conferences.

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Kat Kerr is a literary agent with Donald Maass Literary Agency. Kat feels strongly about supporting programs like We Need Diverse Books and is passionate about creating space in this industry for those from historically marginalized communities. She is actively seeking to grow her client list and is particularly hungry for magical realism, literary leaning speculative (fantasy) and science fiction, women’s fiction, YA works with a lot of heart, and narrative nonfiction with something to say. In fiction, she seeks literary, upmarket, women’s, rom-coms, multicultural, speculative, magical realism, family saga, young adult, and select sci-fi and fantasy. In nonfiction, she seeks narrative nonfiction and journalistic nonfiction tackling current affairs and social justice issues, particularly covering topics of racism, immigration, LGBTQIA+ rights, gender equality, and poverty. She also represents select biographies and memoirs. Learn more about Kat here.

Kim Carson Bodie is a literary agent with Susan Schulman Literary Agency. Kim is interested in reading adult commercial, upmarket, and literary fiction, horror, slipstream, bookclub-with-an-edge, creative nonfiction, pop culture, essay, and select memoir—particularly projects that feature strong voice, experimental structure, bold risks, and big swings. Kim gravitates toward themes of adolescence, monstrosity, class, innocence, memory, healing, freakishness, community, otherness, identity, the body, the natural world, and the concept of home. She will read anything that takes place at a carnival. Please keep in mind: She does not represent YA, MG, or children’s books. (She is open to new adult, though.) “I’m probably not the best fit for high fantasy or other speculative projects without grounded elements, in addition to pure romance or thrillers, with the exception of projects that use suspense as a tool to examine suprising social, scientific, cultural, or political elements of the world at large. I welcome #OwnVoices projects and am particularly interested in representing authors from diverse backgrounds.” Learn more about Kim here.

Rebecca Love is a literary agent with Booker Albert Literary Agency. From a young age, she has been fascinated with epic worlds like LOTR and The Way of Kings. Books with romantic elements like Ella Enchanted, The Goose Girl, and The Cruel Prince all have places in her top ten. She also adores historical fiction like The Wednesday Wars and iconic masterpieces like Monica Hesse’s They Went Left, but her all-time favorite novel has to be the grounded fantasy The Scorpio Races. Her favorite tropes are houses-with-personality (think House of Leaves or The Haunting of Hill House), zombie apocalypses like in the book World War Z, and underwater worlds. Regardless of genre, Rebecca is looking for stories that have good pacing, grounded worlds, and believable characters. She is interested in fantasy of all kinds and anything that has a good hook. She loves YA and MG historical fiction. Learn more about Rebecca here.

Screen Shot 2019-02-24 at 6.06.26 PM.pngRae Loverde is an agent assistant at Donald Maass Literary Agency. At the 2025 SWW, she will be acting as a literary scout — taking pitches at the workshop on behalf of one or multiple co-agents at her agency. On behalf of co-agent Kiana Nguyen, Rae is taking pitches for horror and thriller — for both adults and young adults. Her co-agent Cameron McClure is seeking the following: projects that combine genre style plotting with literary quality writing; anything speculative; science fiction and fantasy; mystery and suspense; horror; and projects with multi-cultural, international, environmental, and LGBTQIA+ themes. Please do not pitch Rae middle grade, adult literary fiction, mainstream fiction, women’s fiction, or chick lit. Learn more about Rae here.

Sorche Fairbank is a literary agent and the founder of Fairbank Literary. Our tastes tend toward literary and international fiction; voice-y novels with a strong sense of place; big memoir that goes beyond the me-moir; topical or narrative nonfiction with a strong interest in women’s voices, global perspectives, and class and race issues; children’s picture books & middle grade from illustrator/artists only; quality lifestyle books (food, wine, and design); pop culture; craft; and gift and humor books. We are most likely to pick up works that are of social or cultural significance, newsworthy, or that cause us to take great delight in the words, images, or ideas on the page. Lately we have been doing extremely well in the humor/gift/pop culture category, international fiction, and children’s picture books by illustrator artists, and we’d love to take on more projects in those categories. Above all, we look for a fresh voice, approach, story, or idea. Learn more about Sorche here.

Jennifer Chen Tran is a literary agent at Glass Literary Management. In nonfiction, she seeks cookbooks, memoir, narrative nonfiction, and prescriptive nonfiction. She loves nonfiction (narrative or memoir with a platform) that sheds light on an unseen corner in society or history. Prescriptive nonfiction with practical takeaways, cookbooks with a unique angle or narratives centered on culinary life (see David Chang’s Eat a Peach), lifestyle titles (see Kate Oliver’s The Modern Caravan), humorous or visually-driven projects, and business books that read like memoir. Big idea books that shift how we perceive or navigate the world. In fiction, she seeks: middle grade, young adult, graphic novels, bookclub fiction, commercial/mainstream fiction, and women’s fiction. She loves middle grade and young adult that has heart and humor or visually-driven elements (see Remy Lai’s Pie in the Sky). She gravitates toward contemporary fiction that braids together issues of social significance and identity (see Angie Kim’s Miracle Creek). Learn more about Jennifer here.

Roger Copenhaver is a literary agent with Yes & Literary. “Yes & is a literary agency dedicated to amplifying LGBTQIA+ voices and other marginalized storytellers. I [represent] books across genres. My focus is making sure queer authors and storytellers are heard but I’m always interested in hearing from authors that have a story to tell that makes a statement about who we are as people and the world we live in. Some of my favorite books I’ve ready in the last few years have included The City We Became by N.K. Jemisin, Annihilation by Jeff VanderMeer, Pet by Akwaeke Emezi, Over the Top by Jonathan Van Ness, What If It’s Us by Adam Silvera and Becky Albertalli, There There by Tommy Orange, and Sourdough by Robin Sloan.” Learn more about Roger here.

A.J. Van Belle (they/them) is a literary agent at the Booker Albert Literary Agency. A.J. is actively building a diverse list and welcomes queries from marginalized writers. In young adult and adult fiction, they’re seeking horror, thriller, and science fiction / fantasy with dark and atmospheric elements. They’re also open to select MG across all genres. In all categories, they’re drawn to books that merge literary sensibilities with compelling plotlines. Some of their favorite authors include Paolo Bacigalupi, Nnedi Okorafor, Jordanna Max Brodsky, Yangsze Choo, Natasha Pulley, T. Kingfisher, and Jenna Satterthwaite. In nonfiction, they’re seeking fresh ideas in science, popular science, self-help, and health/wellness from authors with established platforms. As a scientist who has published NSF-funded research in ecology, they welcome queries from authors whose expertise links with evolution, ecology, statistics, microbiology, and biogeoscience. Learn more about AJ here.

Geffen Semach is a literary agent with Westwood Creative Artists. Fiction: I am looking for general upmarket fiction; horror, thriller and suspense; sci fi, speculative, fantasy and romantasy; as well as select concept-driven romance and literary novels. I am drawn to genre-blending novels that tackle human complexity, thoughtful world-building, strong emotional resonance, and bold voices and concepts. I love novels with teeth that make me feel viscerally—either grounded or unsettled—and nuanced characters that feel both fresh and challenging.  Nonfiction: I am interested in journalism in the vein of social commentary, pop culture, politics, art and media; expert-driven writing relating to medicine and mental health, sex and relationships, and money; as well as exceptional memoir. For me it is the balance of an authoritative voice with accessibility. Particularly books that explore complex, often systemic issues—from politics to psychology to culture—told from a personal or human-centered lens. Please connect with me if you are an expert with a strong voice and an idea to share. I am happy to chat with writers who are at the beginning stages of forming an idea to craft a proposal together. I encourage submissions from underrepresented writers including 2SLGBTQI+, BIPOC, and/or disabled. Learn more about Geffen here.

Alexandra Grana is a literary agent with Corvisiero Literary. In fiction, she seeks: science fiction, fantasy, and horror for middle grade, young adult, and adult; LGBTQ stories in all genres; mysteries and thrillers; historical fiction; magical realism; weird queer. In nonfiction, Alex Is looking for: occult history/mysteries; narratives about deconstruction. Alex’s favorite genres are fantasy and horror. She is a sucker for a good magic system, reimagined fairy tales, and poetic prose. Stories by marginalized writers are of particular interest to her. Learn more about Alexandra here.

        More 2026 agents/editors to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. You can pitch as many agents & editors as like you wish.

These one-on-one virtual meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile.

It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. (Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)